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How To Set Up A Mixer For Podcasting

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If you have multimedia speakers it's not so bad because there is a volume control on the speakers. However, it helps to remember that buses route, and VCAs are simply a control mechanism. I bought one this weekend, and it came in today.

For recording mic signals, audio interfaces in the medium to higher price brackets and by this I mean several hundred pounds upwards often feature mic and instrument preamps that sound better than the ones you find on typical small mixing desks. The problems I have is that Zencastr does not show the volume level. SOS contributor Martin Walker replies: Both approaches do work, but which one you choose largely depends on the quality and features of both your audio interface and mixer and what other gear you have, as well as on how you prefer to work.

Q. Which comes first: Audio Interface or Mixer? - Requiring a stereo connection cable with plugs to fit both units, any receiver that contains auxiliary inputs -- AV.

Below is a demonstrated in the video above. The basic concept of a mix-minus is to input multiple sources of audio into an audio mixer your microphone, sound cart, phone messages, Skype, etc. This setup is achieved by using an auxiliary output to selectively send certain audio out of the mixer. If you send all the audio that is in the mixer, back to Skype, then the person on the other side will hear a feedback loop of their own voice. If your mixer has both pre and post aux faders labeled Aux A and Aux B here , you can use either one. By using the pre-fader, you can set the volume levels for Skype and leave them unaffected by changes you make using the volume faders on each individual channel. Pause the video following each step so that you can perform the setup on your own mixer as you watch. These channels allow you to choose which individual channels 1-8 on this mixer get sent out of the mixer. The knobs pictured inside the blue box click the image to enlarge are used to effectively turn on or off the Aux Send for each channel. The yellow box, in the above image, shows you where the AUX SENDS are located on this particular mixer. This mixer has two auxiliary outputs, one pre A and one post B fader. You only need one Aux Send in order to perform a mix-minus. Each additional auxiliary output provides the opportunity to create another mix-minus setup within a single mixer. This is useful if you are trying to do a multichannel setup, separating various Skype callers onto their own audio track. Be aware that there is one little issue that can damage or at least compromise the performance of some computers. THE INPUT SIDE Most Internet broadcasters and podcasters are or should be using an auxiliary send on the mixer to send a mix-minus feed to Skype. That feed is mono. Most desktop and USB computer sound cards have stereo inputs. Skype really only looks at the left channel for its input, but some cheap, no-name sound cards may actually get the channels reversed internally. Every time you add a connection, you add a potential point of failure. Anyone who has used adapters on audio cables has probably experienced a flaky connection because of adapters. If you have had a problem yet, you will. A good solution is to use the Hosa CMP-105 cable, see below. Even though Skype is mono and only sees the left channel of the audio input, the CMP-105 causes audio to appear on both the left and right inputs of the computer sound card. If the card is wired correctly, it simply ignores the audio on the right channel. THE OUTPUT SIDE Connecting the output of a computer or USB sound card to a mixer can be tricky. Like the input side, most computer sound cards have a stereo output. The Hosa CMP-159 is a good choice. Most mixers have more mono channels than they do stereo channels. It makes sense to consider using a mono channel for Skype. Unlike the input side, it is not a good idea to short the left and right channels on the output of the sound card together. The explanation is very technical the output impedance of each output is lower than the other channel is able to drive without damage or distortion , and not every sound card suffers from the issue for example, if the outputs have a series resistor. The CMP-105 used above for the input side should not be used to connect the output of the sound card to the mixer. A safe solution is simply to connect the left channel of your sound card to the line input of a mono channel on your mixer. That is, you only connect the gray plug to the mixer. The adapted cables you see me using in the video above, while not the best options, have worked fine for me. This sends additional audio music, SFX, telephone calls, etc. The Main Mix knob controls the overall level of all the audio being sent out of the Main Outputs. This is what will be going to your recording. Speak into the microphone at normal levels to confirm that you are receiving an audio signal. If you have more than one microphone, repeat the setup process. To learn how to setup proper microphone levels for dialog,. This will be how Skype receives the audio coming from your mixer. The red arrow indicates the proper cable for inputting audio into the computer. That feed is mono. Most desktop and USB computer sound cards have stereo inputs. Skype really only looks at the left channel for its input, but some cheap, no-name sound cards may actually get the channels reversed internally. A good solution is to use the. Even though Skype is mono and only sees the left channel of the audio input, the CMP-105 causes audio to appear on both the left and right inputs of the computer sound card. An another explanation of post and pre faders can be. Either one will work. The explanation is very technical the output impedance of each output is lower than the other channel is able to drive without damage or distortion , and not every sound card suffers from the issue for example, if the outputs have a series resistor. A safe solution is simply to connect the left channel of your sound card to the line input of a mono or stereo channel on your mixer. That is, you only connect the gray plug to the mixer. Or, once again, if you have an available stereo input on your mixer, you can put the orange plug into the right side channel as indicated in the image above right-side yellow box in image. Step 5 optional — Plug In Any Additional Audio to the Mixer If you have another source of audio such as a sound cart with music and effects, recorded audio files, etc. Play your audio from any external devices and turn up your volume levels blue box to confirm you are receiving audio into the mixer. If you do chose to record into a computer, I would still recommend using an audio recorder to serve as a backup. Having a hardware backup solution can save your recording if your computer crashes. It can be really painful to be 20, 30, 60 minutes into an interview only to lose it because your software or computer crashed. Alternative Setups Recording to Separate Channels If you have a mixer that has either a FireWire, USB2. However, most analog mixers do not have these types of connections. If you only have a stereo mix out of your mixer how do you record audio on separate channels? The resulting audio file will look something like this: Once you bring the audio into your editing software, you can break apart this stereo track to create two separate mono tracks each containing only the audio that was placed on each track as a result of using the pan knobs. Each channel can now have its own compression, EQ, etc. Having them on their own track will allow you to remove any part of their audio without affecting your own. This also removes the noise floor hiss from their track thus making the overall mix cleaner. This always seems to be the case just as someone has made their most important point. Having each person on their own track allows you to shift the two pieces of audio on the timeline thus allowing each person to be heard. This is an incredibility powerful tool to have as an editor. That audio will be used as an input for recording software such as Audacity, Adobe Audition, etc. This input will contain all the audio going into your mixer including the person on Skype. The key to this setup is that you have a second sound card. You need this because each piece of software you use Skype, recording software, etc. If you are using only one sound card, both Skype and your recording software will only have one option to pull its audio from and as we learned in this tutorial, the aux send will not contain the voice of the person on Skype. Your recording software of course needs to have an input containing all audio. If your mixer has USB output then the mixer becomes your second sound card and you can simply tell your recording software to get its input from the USB output. Skype would then still get its audio from the input on your computer that contains your aux send output from the mixer. Other alternatives to getting a second sound card would be an that I showed above, an audio interface like a or another sound card that you install into your computer. Recording with Two Computers Another way to handle the recording of your Skype interviews, using a mix-minus setup, is to use two computers. Having two computers allows you to dedicate one computer just for Skype. Purchases made using these links help support this website. Please for details and thanks for your support!

Behringer Xenyx 802 Mixer Setup For Podcasting
This leads me to believe the 802 is not sending back the full audio over usb, just the solo 1 microphone, or am I nuts. It has features normally found only on expensive units, such as in-built compression, and it also has Aux Out so that you can run a mix-minus setup. Think about the compounding value of making that sound quality just 1% better. Social aluminum USB mics look mighty sweet on your desk, but a more economical audio solution is available via workhorse microphones. Buses are, simply put, a routing system. SOS contributor Martin Walker replies: Both approaches do work, but which one you choose largely depends on the quality and elements of both your audio interface and mixer and what other gear you have, as well as on how you prefer to work. Also would a headset with 3. My question is what happens on the off chance that a 5th person would like to join us for the medico. For those of you who are new to audio, equalization refers to the control boosting, cutting of certain frequencies to achieve a better sound or to eliminate feedback or unwanted noises.